2019    “Cosmos”: the Art and Science of the Universe”. Ed. Roberto J. M. Olson and J. M.                       Pasachoff. P. 204-205 Pub.Reaktion Books Ltd.

              ”Ree Morton: The Plant that Heals May Also Poison”. Ed. Kate Kraczon, curator. Pub.                   Institute of Contemporary Art, Philadelphia. p. 60-61.

2018    “Art in Transit” Pallas Lombardi, Project Manager, Arts-in-Transit. pub. Charlotte Area                 Transit System (CATS).  P. 82-85.

              “Off the Wall: American Art to Wear”, ed. Dilys E. Blum, pub. Philadelphia Museum of                 Art and Yale University Press. p. 136 “Hair Shirt”, collection, Phila. Museum, of Art.

2010    “Artpark: 1974 – 1984”, Catalogue/Book, ed. Sandra Q. Firmin. Essays. Pub. Princeton                 Architectural Press. Pp. 20, 21, 52, 53.

2009   “The Judith Rothschild Foundation Contemporary Drawing Collection”,                                            Catalogue/Book, Essays. Pub. Museum of Modern Art, NY

              “Contemporary Crafts”. Imogen Racz. Pub. Berg, Oxford International Publishers,                         New York. Pp. 110-113.

2008    “The Luther Brady Collection”. Ed. Ann Monahan, Picker Art Gallery, Colgate                                University, Hamilton, NY. p.74.

2007     “Healing Natures, Repairing Relationships: New Perspectives on Restoring Ecological                   Spaces and Consciousness”, Robert L. France, pub. Green Frigate Books. P. 149-151.

2006     “Creative Time: the Book”. Pub. Princeton Architectural Press.

2005    “Pattern Language”, essays, Judith Hoos Fox, Robin Givhan, Jeff Weinstein. Pub Tufts                   Univ. cat.

              ”Bridgescape, the Art of Designing Bridges”, Frederick Gottemoeller, Pub. JW Wiley

2004    “Artists Proposals”, Charlotte Area Transit System, Middleton-McMillan Gallery,                             Charlotte, NC

2002    “Designing the World’s Best Public Art”, ed. Garrison Roots, Images Pub.                                         Group,Australia.

             “With a View Toward the Public: Dayton’s Alternative Spaces Program 1977-1983”, cat.                 pub. Wright State Univ. Art Galleries, Dayton, OH.

2001    “BIG” Beach Improvement Group Project, cat. pub. City of Santa Monica/Cultural                         Affairs Division.                                     

              “Echigo-Tsumari Art Triennial 2000”, pub. Art Front Gallery, Tokyo, Japan.

              “New Land Marks: public art, community, and the meaning of place”, ed. Penny Balkin                   Bach, Editions Ariel, Grayson, Publishing, p. 16,17.

1998    "Landscape Narratives: Design Practices for Telling Stories," Matthew Putteiger &                           Jamie Purinton. Pub. by John Wiley & Sons, p.145, 146.

1997     “The Private Eye in Public Art,” essay by Joyce Pomeroy Schwartz. La Salle Partners at                  Nations Bank Plaza, Charlotte, North Carolina.                            

              “Drawing: A Contemporary Approach,” Claudia Betti and Teel Sale, Harcourt,

                Brace College Pub.

              "The Future of Cities; Landscape and Sculpture,"  Shoichiro Higuchi, Published by                           Kashima Shuppan, 1996                                           

              “Designing Outdoor Sculpture; Today for Tomorrow,” Pub. by Nat’l. Inst. for                                   Conservation of  Cultural Property, Wash., D.C. and Smithsonian.

              “Sacred Art: of the Earth”, Maureen Korp, Continuum, NY.

1996     “Feminists Who Changed America 1963-1975”, Edited by Barbara J. Love. Pub. Univ.                   of Illinois Press.

1995     “Landscape Art: World of Environmental Design,”  Pub. by Arco Editorial, Barcelona,                     Spain. p, 152-159.

              “Elements of Landscape: World of Environmental Design,” Pub. by Arco Editorial,                         Barcelona, Spain p. 178-183.

1994    “Urban Cities and Sculpture: Park Plaza and City Development in Europe and                                 America”, Shoichiro Higuchi. Published by Kashima Shuppan-Kai, Japan.

             “Gray World, Green Heart”, Robert L. Thayer, Jr., Published by John Wiley & Sons, Inc.

             “Sculpting with the Environment: A Natural Dialogue”, Edited by Baile Oakes.                                Published by Van Nostrand Reinhold.

1993    “A Concept for Art in the Green Hart”, report, Cultural Council of Southern Holland,                   Den Haag, Holland. Edited by van Wesemael & Beijne, p. 36, 37, 41, 52, 53.

             “Public Artworks: The Arizona Models”, Published by Phoenix Art Commission,

               p. 38, 39, 57.

             “The Once and Future Park”, Essay by Patricia Phillips, Princeton Architectural Pres

1992    “Public Art in Philadelphia” Penny Balkin Bach, Book published by Temple University                       Press, pp. 93, 135, 167-69, 256.

             “Public Art Proposals”, Catalogue published by the International Contemporary

              Art Fair, Japan.

             “An Industrious Art: Innovation in Pattern & Print at the Fabric Workshop”, Edited by                    Marion Boutlon Stroud, Philadelphia, PA

1990    “Divergent Styles: Contemporary American Drawing”, Essay by Paul Cummings,

              Univ. of Florida, Gainesville.

             “Lines of Vision: Drawings by Contemporary Women”, Back Cover, Judy Collischan                      Van Wagner, Cat. in  Spanish/English, Hillwood Art Museum, Long Island University.

             “Women in American Sculpture”, Charlotte S. Rubinstein, Pub. G.H. Hall.

             “Encyclopedia of Architecture: Public Art”, Joyce Pomeroy Schwartz,

              American Institute of Architects, Vol. 4, p. 18, John Wiley & Sons.

1989    “Art of the 80’s”, Chemical Bank Collection, Montclair Art Museum,

              Montclair, NJ, p. 62.

             “Decade of the 80’s”, John Perrault, Western Carolina University, p. 32.

             “Lines of Vision: Drawings by Contemporary Women”, Judy Collischan Van Wagner,                      Hudson Hills Press, New York, p.112.

             “Sounding The Depths”, Harold B. Nelson, Pub. American Federation of Arts,

             NY, pp. 77,78,94

1988    “10  x 12: A Decade of Fleisher Artists”, Jody Pinto, Fleisher Art Memorial,

              Philadelphia, PA.

             “Classical Myth and Imagery in Contemporary Art”, Barbara Matilsky, 

               Queens Museum, New York.

             “Art For The Public: New Collaborations”, Penny Bach, Pamela Houk.  Dayton Art                         Institute, Dayton, Ohio, p. 11-12; 40-44.

             “New Artists, New Drawings”, Lyman Allyn Museum, New London, CT.

             “New Art on Paper”, (The Hunt Manufacturing Collection), Philadelphia Museum of                      Art, p. 44-45.

             “Searching Out The Best”, Pennsylvania Academy of Fine Arts, Philadelphia, PA.

1987    “Visual Literacy: A Guide To The Visual Arts and Communication”, Deborah Curtiss,                      Prentice-Hall.

             “Shaping Space”, Paul Zelanski, Mary Prat Fisher. Pub. Holt, Reinhart, Winston

             “Standing Ground”, Sara Rogers-Lafferty, Contemporary Arts Center, Cincinnati,                        Ohio, p. 62.

1997    “Walk On/ Sit Down/ Go Through”, Socrates Sculpture Park, Long Island City,

              New York.

1986    “Contemporary American Women Sculptors”, Virginia Watson-Jones, Oryx Press.

             “Symbolic Expressions: Five Women Artists”, Summit Art Center, New Jersey.

             “Art In The Environment”, Ed. Joyce Schwartz, Boca Raton Museum, Florida.

             “Body Electric: Four Currents”, Pat Stewart, Temple Gallery, Philadelphia, PA.

             “Philadelphia Collects Art Since 1940”, Mark Rosenthal, Ann Percy,

              Philadelphia Museum of Art, PA

             “1976-1986: Selections From The Edward R. Downe, Jr. Collection”, Wellesley College                 Museum, Wellesley, MA, p. 112.

1985    “Scapes”, University of California, Santa Barbara.

1984    “The Sculptor As Draughtsman”, Paul Cummings, Whitney Museum.

             “Overlay”, Lucy Lippard, Pantheon, p. 198-201.

             “20th Century American Drawings: The Figure in Context”, Paul Cummings,

              Whitney Museum, New York.

             “Landmarks”, Bard College, Annandale-on-Hudson, NY.

             “Sculptural Ideas”, Lehigh University, PA. 

             “Investigations”, I.C.A., Philadelphia, PA.

1983    “Connections”, I.C.A., Philadelphia, PA.

             “The 1983 Hazlett Memorial Awards Exhibition for the Visual Arts”.

             “Beyond the Monument”, curated by Gary Garrels, MIT Hayden Corridor Gallery,                         Cambridge, MA.

1982    “Form and Function: Proposals for Public Sculpture for Philadelphia”, Pennsylvania                         Academy of Fine Arts and Fairmount Park Art Association, Philadelphia, PA.

             “Agitated Figures”, Richard Flood, Hallwalls, Buffalo, NY.

             “Art Materialized: Selections From The Fabric Workshop”, Pub. I.C.I., New York, p. 30.

             “Extended Sensibilities...”, Dan Cameron, The New Museum, New York.

             “Sculpture Sacramento”, Ed. Jennifer Dowley, Michael Smith, Sacramento                                      Metropolitan Arts Comm.,CA.

             “In and Out of Kutztown 1974-1981”, Ed. James Carroll, Kutztown State College.

1981     “Architectural Sculpture: Projects”, Louise Louis, LAICA, CA.

             “Drawings from the Collection of Milton Brutten and Helen Herrick”, William Patterson                College, NJ.

             “Maximum Coverage: Wearables by Contemporary American Artists”. Kohler Arts                       Center, Sheboygan, Wisconsin.

             “Drawing Acquisitions: 1978-1981”, Whitney Museum, NY.

             “Currents: A New Mannerism”, Pub. Jacksonville Art Museum

1980   “Drawing: The Pluralist Decade”, Janet Kardon and John Neff,

             Venice Biennale Catalogue.

             “Tel-Hai 80 Catalogue”, Ed. Amnon Barzel, Israel.

             “Drawing: The Pluralist Decade”, I.C.A., Philadelphia, PA.

             “Architectural Sculpture”, Lucy Lippard, LAICA, CA.

1979    “Masks, Tents, Vessels, Talisman”, Janet Kardon, I.C.A., Philadelphia, PA, p. 6-20.

             “Contemporary Drawings: Philadelphia II”, Philadelphia Museum of Art, PA.

             “1979 Biennial Exhibition”, Whitney Museum, New York.

             “Material Pleasures/The Fabric Workshop at I.C.A.”, Catalogue by Michael Quigley.

             “Excavations and Constructions: Notes for the Body/Land”, Text by Jody Pinto, Marion                Locks Gallery, Philadelphia, PA.

1978    “Dwellings”, Essay by Lucy Lippard, I.C.A., Philadelphia, PA.

             “Quintessence”, Text by Jody Pinto, Dayton, OH.

1977    “Philadelphia/Houston Exchange”, I.C.A., Philadelphia, PA.

              “Collection In Progress”, Brutton/Herrick, Moore College of Art, Philadelphia,

              PA, p. 16.

              “Artpark—The Program in Visual Arts”, p. 98-99